Fyodor Dostoevsky
(1821 - 1881) Novelist
Very influential Russian writer who plumbed the psychology of
man, the nature of morality, Christianity and Western culture with
fevered tales of contemporary Russian life.
Biography
Born October 30, 1821 Moscow Ethnicity Russian Residence St. Petersburg
Died January 28, 1881 St. Petersburg Nationality Russian Language
Russian
Other occupations engineering student, journal editor, soldier,
labor camp prisoner
Dostoevsky was one of seven children born into a middle class
but upwardly mobile family headed by a stern ex-military physician
and his cultured and kindly wife. He began his life in a cramped
apartment until his father became a nobleman with an estate and
serfs. Fyodor lost his mother at sixteen and, shortly after, was
sent to study military engineering by his father. Dostoevsky, along
with his beloved brother, loved literature and he suffered at the
academy until his father's death when his small inheritance allowed
him to begin his writing career and a life of financial worries.
He produced a few translations before completing his Gogolesque
first book, Poor Folk. A very prominent literary critic declared
him a major new voice; this praise consoled him when sales didn't
match the size of his talent (or ego). Dostoevsky was shy, vain,
very sure of his talent and irascible, which despite his sympathy
with the poor and liberal ideas, alienated many of his early supporters.
However he still cherished romanticism and western ideals which
led to his involvement with a group of utopian socialists and later
his arrest. Dostoevsky was spared in a mock execution and labored
for four years in a Siberian prison camp, where he met and smelled
the poor and downtrodden who had earlier earned his sympathies.
This experienced killed his romantic and liberal leanings while
intensifying his irascibility. Because of the trauma, he began
to suffer from severe epilepsy and a Slav-centric orthodox Christianity.
Turgenev dubbed him the nastiest Christian he had ever met. During
six years as a soldier, Dostoevsky discovered the miseries of marriage
with a moody and cruel consumptive who often drove him into the
arms of other women despite his perverse attachment to her. He
was pardoned and allowed to return to St. Petersburg where he resumed
his writing career with a novel about his prison camp experiences.
With his brother, he started a couple of influential journals that
were increasingly antagonistic to radicals and the intelligentsia.
In 1864 Dostoevsky suffered the death of his wife and his beloved
brother. Fyodor then spent the remainder of the decade traveling
Europe, exploring its culture, pursuing an affair with a minor
author and escaping his creditors. One publisher offered to pay
off Dostoevsky's debts if the writer could deliver a novel in a
month, Dostoevsky accepted the offer and wrote the Gambler. He
then married the stenographer who worked with him of the story.
She provided both financial and emotional stability, and bore him
four children. During this period, Dostoevsky produced most of
his major works in a fevered 10-year period. He then poured himself
into an experimental one-man journal, Diary of Writer, in which
he published his own short stories, autobiographical essays, sketches
and analysis of sensational current events. The journal was widely
read and lucrative despite its increasingly extreme political and
religious subject matter. He then worked on his massive Brothers
Karamazov before his feverish and high-strung temperament finally
expressed itself physically with a fatal hemorrhage on January
28, 1881.
Influences
Bible, Nikolai Gogol, Influenced
Franz Kafka, Thomas Mann, Albert Camus, Jean-Paul Sartre, Villy
Sorensen
Themes: Free will vs. determinism, Spirit vs. Materialism, Eastern
Slav Orthodoxy vs. Western liberalism. Christian sympathy and love
as the solution to man's debased state. Origin of evil and possibility
for redemption.
Style: He wrote as if in a fever, with words piling on top of
each other with an intensity and rhythm equal to the high strung
emotions of their author. There is probably not one measured or
'carefully crafted' sentence in all of his works. The time pressure
under which he wrote often forced him to skimp on craft with numerous
repetitions and a lack of concision. The total affect can be over
wrought for some and awe- and terror- inspiring for others. The
novels are very concerned with ideas but he explores them only
through very human (if extreme) personalities.
Major Work
Notes from the Underground: (Novella) The narrator attacks the
ideals of the deterministic and materialistic west with a venom
that exposes his own vile and debased character while explaining
his own irrational assertions of free will and individuality.
Crime and Punishment: (Novel) A poor sensitive law student murders
a vile landlady/usurer believing himself exempt from moral law.
He is pursued by a suspicious police detective and becomes involved
with a saintly prostitute who leads him to confession and the road
to redemption.
Brothers Karamazov: (Novel) A sprawling novel of late 19th Century
Russian culture and intellectual ideas involving a stern uncaring
father and his three sons, a healthy lustful man, a poor intellectual
and the Christ-like youngest son. When the father is murdered,
the sons wrangle among themselves, spiritually, intellectually,
and emotionally, to find the murderer.